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!! EQUIVALENCES {br} (pour dix-huit instruments, 10mn) (1963){br}Création de la première version : 20/07/1963 – Krämtchtelner Kammer Ensemble, direction Pierre Boulez. Allemagne, Darmstadt, festival des Internationale Ferienkurse für Neue Musik, Ensemble international Kranichsteiner{br}Création de la deuxième version : 20/10/1963 – Membres du Südwestfunk de Baden-Baden, direction Pierre Boulez. Allemagne, Donaueschingen, Donaueschinger Musiktage{br}Création de la version définitive : 03/06/1964 – Orchestre Radio-Symphonique du Danemark, Groupe instrumental à percussion de Strasbourg, direction Francis Travis. Danemark, Copenhague, Festival international de la SIMC (Société internationale de musique contemporaine) {br}{br} {html} <hr nosize><hr style="height: 10px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html} !!! 1964 ---- '''''{cap}Discographie{/cap}'''''{br} ---- \|3 \| \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp1_front.jpg\|../files/articles/eloy/1964_lp1_front_b.jpg\|1964 LP ADES 15.005] [../files/articles/eloy/1964_lp1_front2.jpg\|../files/articles/eloy/1964_lp1_front2_b.jpg\|1964 LP ADES 15.005] [../files/articles/eloy/1964_lp1_back.jpg\|../files/articles/eloy/1964_lp1_back_b.jpg\|1964 LP ADES 15.005]{br}---- Disque ADES 15.005 France 1964 - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {/small}\|tr {small}'''''- Fac-Similés''''' : {br}(cliquer les images pour les agrandir / ''click to enlarge'') {/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp2_front.jpg\|../files/articles/eloy/1964_lp2_front_b.jpg\|1967 LP EVEREST 3170 US] [../files/articles/eloy/1964_lp2_back.jpg\|../files/articles/eloy/1964_lp2_back_b.jpg\|1967 LP EVEREST 3170 US] [../files/articles/eloy/1964_lp2_labela.jpg\|../files/articles/eloy/1964_lp2_labela_b.jpg\|1967 LP EVEREST 3170 US] [../files/articles/eloy/1964_lp2_labelb.jpg\|../files/articles/eloy/1964_lp2_labelb_b.jpg\|1967 LP EVEREST 3170 US]{br}---- Disque EVEREST 3170 USA 1967 — Equivalences, for 18 instruments — Conductor – Pierre Boulez, The Domaine Musical Ensemble, Strasbourg Percussion Group.{br}---- Jean-Claude Eloy was born in Rouen in 1938. He studied composition in Paris with Darius Milhaud and from 1962 with Pierre Boulez at the Académie de Musique de Basle (sic; Basel). Currently he us on the staff of the University of Berkely in California.{br}The title Equivalences refers to numerous aspects of the piece and should be interpreted in the sense of an equilibrium between contrasting forces. In the simplest terms, there is the deployment of musical instruments : A triple symmetry in an arc formed by 6 percussionists, 3 groups of winds and piano-celesta with harp. On a higher plane, we may regard it as a depiction of the contrasting elements that make up the work : density, zero to maximum; registers : fixed to mobile; coordination : absolute to relative, etc. The whole form itself reflects these oppositions, this dialectic play, whence derives a contrasting sonority, an extension of the dynamic field.{br}Certain structures are variable from one performance to another, utilizing modifiable intensities that affect mainly the duration of the percussion instruments’ resonances. To illustrate : a contrast is created between wind instruments producing long held sounds on the one hand and on the opposite side are percussion instruments, piano, harp, etc. producing sounds of rapid growth and decay. Bit by bit, these sounds are drawn closer until they are confronted. The movement continues, until the sounds are at their initial state, but on opposite sides : the winds producing « pointed » sounds, while the percussion instruments trills, etc., produce long held sounds. Henri Pousseur described this development as an « arc of duration ».{br}Equivalences had its premiere performance at the Darmstadt Festival in July 1963 under the direction of Pierre Boulez. — (Jean-Claude Eloy, adapted from the French by Giveon Cornfield) {br}---- {/small}\|tr {small} {/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp3_front.jpg\|../files/articles/eloy/1964_lp3_front_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK] [../files/articles/eloy/1964_lp3_back.jpg\|../files/articles/eloy/1964_lp3_back_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK] [../files/articles/eloy/1964_lp3_labela.jpg\|../files/articles/eloy/1964_lp3_labela_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK] [../files/articles/eloy/1964_lp3_labelb.jpg\|../files/articles/eloy/1964_lp3_labelb_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK]{br}---- Disque LP EVEREST TRANSATLANTIC REC 3170 UK 1968 — Equivalences, for 18 instruments — Conductor – Pierre Boulez, The Domaine Musical Ensemble, Strasbourg Percussion Group. {br}---- {/small}\|tr {small} {/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp4_front.jpg\|../files/articles/eloy/1964_lp4_front_b.jpg\|1964 LP ADES 16.001] [../files/articles/eloy/1964_lp4_back.jpg\|../files/articles/eloy/1964_lp4_back_b.jpg\|1964 LP ADES 16.001]{br}---- Disque ADES 16.001 France ? - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {/small}\|tr {small}{/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp5_front.jpg\|../files/articles/eloy/1964_lp5_front_b.jpg\|1964 LP ADES 17.004] [../files/articles/eloy/1964_lp5_front2.jpg\|../files/articles/eloy/1964_lp5_front2_b.jpg\|1964 LP ADES 17.004] {/small}\|tr {small}{/small}\| \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp5_front3.jpg\|../files/articles/eloy/1964_lp5_front3_b.jpg\|1964 LP ADES 17.004] [../files/articles/eloy/1964_lp5_back3.jpg\|../files/articles/eloy/1964_lp5_back3_b.jpg\|1964 LP ADES 17.004]{br}---- Disque ADES 17.004 France ? - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {/small}\|tr {small}{/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp7_front.jpg\|../files/articles/eloy/1964_lp7_front_b.jpg\|1964 LP Columbia Japan] [../files/articles/eloy/1964_lp7_front2.jpg\|../files/articles/eloy/1964_lp7_front2_b.jpg\|1964 LP Columbia Japan] [../files/articles/eloy/1964_lp7_back.jpg\|../files/articles/eloy/1964_lp7_back_b.jpg\|1964 LP Columbia Japan] {br}---- Disque Columbia / Everest OS-2372-EV Japan 1970, The Prospect of Contemporary Music nr4 - Conductor – Pierre Boulez, Domaine Musicale (sic), Strassbourg (sic) Percussion Ensemble, Yvonne Loriod piano. {br}---- {/small}\|tr {small}{/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp6_front.jpg\|../files/articles/eloy/1964_lp6_front_b.jpg\|1964 LP ADES 14.022] [../files/articles/eloy/1964_lp6_back.jpg\|../files/articles/eloy/1964_lp6_back_b.jpg\|1964 LP ADES 14.022]{br}---- Disque ADES 14.022 France 1983 - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {br}---- {br}— ^[[Documentation : Discographie (site du compositeur)\|http://www.eloyjeanclaude.net/AvaeraRecordsLPsFrench.html]^] {br}---- {/small}\|tr {small}{/small}\| {br}{br}---- {br}{br} {html} <hr nosize><hr style="height: 10px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html} !!! 1965 ---- '''''{cap}Equivalences (1963){/cap}'''''{br}in Le Nouvel Observateur n° 21, p. 30, 8 avr. 1965 ---- \|3 \| \|t {small}......................{/small}\|t {small}[../files/articles/eloy/1965_eloy_1.jpg\|../files/articles/eloy/1965_eloy_1_b.jpg\|1965 Le Nouvel Observateur]{br}---- {/small}\|tr {small}'''''- Fac-Similés''''' : {br}(cliquer les images pour les agrandir / ''click to enlarge'') {/small}\| \| \|2 '''''- Abstract''''' : (Annonce du programme du Festival de Royan, du 9 au 14 avril 1965...) — {small}^[[lire la suite / continue reading\|https://jeromejoy.org/files/articles/eloy/1965_eloy_1_b.jpg]^]{/small}{br}---- \| \| \|2 {small}'''''- Télécharger / Download (jpg)''''' : [https://jeromejoy.org/files/img/icon_download.png\|../files/articles/eloy/1965_eloy_1_b.jpg] image 1{br}'''''- Télécharger / Download (pdf)''''' : https://jeromejoy.org/files/articles/eloy/1965_ELOY_1.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''''- URL(s) (pdf)''''' : http://referentiel.nouvelobs.com/archives_pdf/OBS0021_19650408/OBS0021_19650408_030.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}---- \| \| \|2 {small}'''''- Annexes''''' : {/small}{br}{small}— ^[[Documentation : 1964-1977 le Festival International d'Art Contemporain de Royan\|http://www.c-royan.com/arts-culture/galerie-dart/expositions-et-musees/1964---1977-festival-international-d-art-contemporain/1537-introduction.html]^] {br}— ^[[Documentation : Dans le cadre du festival de Royan dédié à l'art contemporain, l'Ensemble des Percussions de Strasbourg répète une œuvre de Jean-Claude Eloy "Equivalences" sous la direction de Bruno Maderna. (avril 1965)\|http://www.ina.fr/video/I07025162]^]{br}— ^[[The Structural Function of Wind Role Transformations in Equivalences by J. C. Eloy, - John Felder - 1981-82 (ex tempore - A Journal of Compositional and Theoretical Research in Music)\|http://www.ex-tempore.org/eloy/eloy.htm]^]{br}— ^[[Equivalences : partitions, extraits musicaux, (ex tempore - A Journal of Compositional and Theoretical Research in Music)\|http://www.eloyjeanclaude.com/eloyjeanclaude.org/EquivalencesCentre.html]^]{/small}{br}---- \| {html} <hr nosize> <b>VIDEO</b>          <img src="https://jeromejoy.org/files/img/icon_video.gif"><br><hr nosize> <DIV style="background-color:#CCCCCC;"> <iframe width="640" height="480" src="https://www.youtube.com/embed/CbIWx4OOI6A" frameborder="0" allowfullscreen></iframe> <br><small>Dans le cadre du festival de Royan dédié à l'art contemporain, l'Ensemble des Percussions de Strasbourg répète<br> une œuvre de Jean-Claude Eloy "Equivalences" sous la direction de Bruno Maderna. - avril 1965 — (<A HREF="http://www.ina.fr/video/I07025162" target="_blank">source INA</A>)</small> <br><br></DIV> {/html} {br}---- '''SCORES'''{br}{br}---- \|t {small}......................{/small}\|t {small}[../files/articles/eloy/1965_eloy_6_ex2x.jpg\|../files/articles/eloy/1965_eloy_6_ex2x_b.jpg\|1963 Equivalences - Section II nr19]{br}• 1963 Equivalences - Section II nr19 ---- {/small}\|t {small}[../files/articles/eloy/1965_eloy_7_ex3.jpg\|../files/articles/eloy/1965_eloy_7_ex3_b.jpg\|1963 Equivalences - Section I nr3]{br}• 1963 Equivalences - Section I nr3 ---- {/small}\|t {small}[../files/articles/eloy/1965_eloy_8_ex4x.jpg\|../files/articles/eloy/1965_eloy_8_ex4x_b.jpg\|1963 Equivalences - Section III]{br}• 1963 Equivalences - Section III ---- {/small}\|tr {small}'''''- Fac-Similés''''' : {br}(cliquer les images pour les agrandir / ''click to enlarge'') {/small}\| \|t {small}{/small}\|t {small}[../files/articles/eloy/1965_eloy_9_ex5.jpg\|../files/articles/eloy/1965_eloy_9_ex5_b.jpg\|1963 Equivalences - Section IV nr61-62]{br}• 1963 Equivalences - Section IV nr61-62 ---- {/small}\|t {small}[../files/articles/eloy/1965_eloy_10_ex8x.jpg\|../files/articles/eloy/1965_eloy_10_ex8x_b.jpg\|1963 Equivalences - Section IV - final]{br}• 1963 Equivalences - Section IV - final ---- {/small}\|t {small}[../files/articles/eloy/1965_eloy_11_ex10.jpg\|../files/articles/eloy/1965_eloy_11_ex10_b.jpg\|1963 Equivalences - Section V - final]{br}• 1963 Equivalences - Section IV - final ---- {/small}\|tr {small} {/small}\| \|t {small}{/small}\|t {small}[../files/articles/eloy/1965_eloy_12_ex12a.jpg\|../files/articles/eloy/1965_eloy_12_ex12a_b.jpg\|1963 Equivalences - Section VI - final]{br}[../files/articles/eloy/1965_eloy_12_ex12a.jpg\|../files/articles/eloy/1965_eloy_12_ex12a_b.jpg\|1963 Equivalences - Section VI - final]{br}• 1963 Equivalences - Section VI - final ---- {/small}\|t {small}{/small}\|t {small}{/small}\|tr {small}Voir aussi : ^[[Equivalences : partitions, extraits musicaux, (ex tempore - A Journal of Compositional and Theoretical Research in Music)\|http://www.eloyjeanclaude.com/eloyjeanclaude.org/EquivalencesCentre.html]^]{br}Voir aussi ^[ http://www.eloyjeanclaude.net/EquivalencesScore.html ^] {/small}\| {br}{br}---- {br}{br} {html} <hr nosize><hr style="height: 10px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html} !!! 1965 ---- '''{cap}Pas Comme les Autres{/cap}'''{br}Maurice Fleuret{br}in Le Nouvel Observateur n° 22, p. 26, 15 avr. 1965 ---- \|3 \| \|t {small}......................{/small}\|t {small}[../files/articles/eloy/1965_eloy_2.jpg\|../files/articles/eloy/1965_eloy_2_b.jpg\|1965 Le Nouvel Observateur]{br}---- {/small}\|tr {small}'''''- Fac-Similés''''' : {br}(cliquer les images pour les agrandir / ''click to enlarge'') {/small}\| \| \|2 '''''- Abstract''''' : A l'heure, où, lâchés par l'Etat, tous les festivals français se préoccupent de rentabilité et sont donc plus ou moins tentés par la complaisance, Royan choisit la difficulté. Il n'existait pas jusqu'alors chez nous de festival exclusivement consacré à l'art contemporain et moins encore qui ait osé mettre l'accent sur la jeune musique. Il fallait aller à Donaueschingen, à Darmstadt, à Venise, à Varsovie ou à Palerme... Le « voyage artistique » à Royan s'impose désormais à tous ceux qui veulent vivre au diapason musical de leur temps. — {small}^[[lire la suite / continue reading\|https://jeromejoy.org/files/articles/eloy/1965_eloy_2_b.jpg]^]{/small}{br}---- \| \| \|2 {small}'''''- Télécharger / Download (jpg)''''' : [https://jeromejoy.org/files/img/icon_download.png\|../files/articles/eloy/1965_eloy_2_b.jpg] image 1{br}'''''- Télécharger / Download (pdf)''''' : https://jeromejoy.org/files/articles/eloy/1965_ELOY_2.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''''- URL(s) (pdf)''''' : http://referentiel.nouvelobs.com/archives_pdf/OBS0022_19650415/OBS0022_19650415_026.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}---- \| {html} <hr nosize> <b>AUDIO</b>          <img src="https://jeromejoy.org/files/img/icon_audio.gif"><br><hr nosize> <TABLE BORDER="0"> <TR><TD VALIGN="TOP"> <DIV style="background-color:#CCCCCC;"> <small><b>Jean-Claude Eloy - Equivalences (1963)</b>, pour dix-huit instruments, créée à Darmstadt en juillet 1963, sous la direction de Pierre Boulez.<br>Commande de Pierre Boulez pour le Festival de Darmstadt 1963. <br> — (<A HREF="http://youtu.be/rOeL_sliUT4" target="_blank">source YouTube</A>) — (<A HREF="http://www.eloyjeanclaude.com/FicheEquivalences.html" target="_blank">informations, compléments, site du compositeur J.-C. Eloy</A>)</small><br> <object type="application/x-shockwave-flash" data="webs/dewplayer-vol.swf" width="350" height="20" id="dewplayer" name="dewplayer"> <param name="wmode" value="transparent" /> <param name="movie" value="webs/dewplayer-vol.swf" /> <param name="flashvars" value="mp3=https://jeromejoy.org/files/articles/eloy/1963_ELOY_Equivalences.mp3&bgcolor=FFFFFF&showtime=1&autoplay=0&autoreplay=0&volume=100" /> </object> <br><br></DIV> </TD><TD VALIGN="TOP"> <A HREF="https://jeromejoy.org//files/articles/eloy/1965_eloy_2_part1_b.jpg" target="_blank"><IMG SRC="https://jeromejoy.org//files/articles/eloy/1965_eloy_2_part1.jpg" alt="Equivalences, 1963, partition, page 10"></A>   <A HREF="https://jeromejoy.org//files/articles/eloy/1965_eloy_2_part2_b.jpg" target="_blank"><IMG SRC="https://jeromejoy.org//files/articles/eloy/1965_eloy_2_part2.jpg" alt="Equivalences, 1963, partition, page 26"></A><br><small>— (<A HREF="http://www.eloyjeanclaude.com/SiteOeuvres.html" target="_blank">Equivalences, extrait partition, courtesy le compositeur J.-C. Eloy</A>)</small> </TD> </TR> </TABLE> {/html} {br}{br}---- {br}{br} {html} <hr nosize><hr style="height: 10px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html} !!! 1965 ---- '''{cap}Prélude Lugubre{/cap}'''{br}Maurice Fleuret{br}in Le Nouvel Observateur n° 46, pp. 34-35, 29 sept. 1965 ---- \|3 \| \|t {small}......................{/small}\|t {small}[../files/articles/eloy/1965_eloy_3.jpg\|../files/articles/eloy/1965_eloy_3_b.jpg\|1965 Le Nouvel Observateur]{br}---- {/small}\|tr {small}'''''- Fac-Similés''''' : {br}(cliquer les images pour les agrandir / ''click to enlarge'') {/small}\| \| \|2 '''''- Abstract''''' : Quand on revient de l'étranger, on a vraiment l'impression que notre pays est le parent pauvre de l'Europe en matière de création musicale. — {small}^[[lire la suite / continue reading\|https://jeromejoy.org/files/articles/eloy/1965_eloy_3_b.jpg]^]{/small}{br}---- \| \| \|2 {small}'''''- Télécharger / Download (jpg)''''' : [https://jeromejoy.org/files/img/icon_download.png\|../files/articles/eloy/1965_eloy_3_b.jpg] image 1{br}'''''- Télécharger / Download (pdf)''''' : https://jeromejoy.org/files/articles/eloy/1965_ELOY_3a.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg] — https://jeromejoy.org/files/articles/eloy/1965_ELOY_3b.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''''- URL(s) (pdf)''''' : http://referentiel.nouvelobs.com/archives_pdf/OBS0046_19650929/OBS0046_19650929_034.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}http://referentiel.nouvelobs.com/archives_pdf/OBS0046_19650929/OBS0046_19650929_035.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}\| {br}{br}---- {br}{br} {br}{br} {html} <hr nosize><hr style="height: 10px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html}
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