DOCCARDEW7 - Jerome Joy website

B I U S link image code HTML list	Show page Syntax
!! papers ---- {br} * {small}{cap}Benjamin Piekut — '''[Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-75\|https://www.academia.edu/10005808/Indeterminacy_Free_Improvisation_and_the_Mixed_Avant-Garde_Experimental_Music_in_London_1965-75]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.academia.edu/10005808/Indeterminacy_Free_Improvisation_and_the_Mixed_Avant-Garde_Experimental_Music_in_London_1965-75 [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In Journal of the American Musicological Society, Vol. 67, no. 3 (Fall 2014), pp. 769-824.{/small}{br}---- {br} * {small}{cap}Hails, John Hails — '''[Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action\|http://researchrepository.napier.ac.uk/7657/1/Performing_the_Scratch_Orchestra.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://researchrepository.napier.ac.uk/7657/1/Performing_the_Scratch_Orchestra.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In : Music and shared imaginaries: nationalisms, communities, and choral singing, October 30th - November 1st 2014, University of Aveiro, Aveiro, Portugal (2014). {/small}{br}---- {br} * {small}{cap}Clemens Gresser — '''[Cornelius Cardew's Music for Moving Image\|http://www.bl.uk/eblj/2013articles/pdf/ebljarticle42013.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://www.bl.uk/eblj/2013articles/pdf/ebljarticle42013.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In eBLJ, The Electronic British Library Journal, 2013.{/small}{br}---- {br} * {small}{cap}Alex South & Richard Craig — '''[Sketches Towards a performance of Cornelius Cardew's Treatise\|https://static.squarespace.com/static/529fa9f0e4b061dbb498ee7a/529fad61e4b0d27546784b49/529fad62e4b0d27546784bc1/1335548942004/Cardew%20D41.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://static.squarespace.com/static/529fa9f0e4b061dbb498ee7a/529fad61e4b0d27546784b49/529fad62e4b0d27546784bc1/1335548942004/Cardew%20D41.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In The Drouth - Graphic, Issue 41, pp. 41-50, Winter 2012.{/small}{br}---- {br} * {small}{cap}Virginia de Vere Anderson — '''[John White and the alternative British experimental aesthetic\|http://www.newsound.org.rs/sr/pdfs/ns38/New_Sound_38.40-50.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://www.newsound.org.rs/sr/pdfs/ns38/New_Sound_38.40-50.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}in New Sound, 38/2 (2011), 40–50.{/small}{br}---- {br} * {small}{cap}The Vocal Constructivists — '''[Cornelius Cardew works by genre\|http://www.vocalconstructivists.com/wp-content/uploads/2011/06/CORNELIUS-CARDEW-WORKS-BY-GENRE1.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://www.vocalconstructivists.com/wp-content/uploads/2011/06/CORNELIUS-CARDEW-WORKS-BY-GENRE1.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In eBLJ, The Electronic British Library Journal, 2011/2013.{/small}{br}---- {br} * {small}{cap}Virginia de Vere Anderson — '''[Comfy Cushions and Golden Grandiosi: Instruments of British Experimentalism\|https://www.academia.edu/3551217/_Comfy_Cushions_and_Golden_Grandiosi_Instruments_of_British_Experimentalism_]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.academia.edu/3551217/_Comfy_Cushions_and_Golden_Grandiosi_Instruments_of_British_Experimentalism_ [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}in Galpin Society Journal, 62 (2009), 273–286.{/small}{br}---- {br} * {small}{cap}Andrew Edward Callingham — '''[Spontaneous Music - The First Generation British Free Improvisers\|http://eprints.hud.ac.uk/4659/1/438075.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://eprints.hud.ac.uk/4659/1/438075.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}Submitted for the degree of Doctor of Philosophy, The University of Huddersfield, January 2007.{/small}{br}---- {br} * {small}{cap}Aleksander Jozef Szram — '''[Interpreting the Octet '61 by Cornelius Cardew on the piano\|https://circle.ubc.ca/bitstream/id/108163/ubc_2007-268070.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://circle.ubc.ca/bitstream/id/108163/ubc_2007-268070.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}Submitted for the degree of Doctor of Musical Arts, The University of British Columbia, January 2007.{/small}{br}---- {br} * {small}{cap}Virginia de Vere Anderson — '''[« Well, it’s a vertebrate… » : Performer Choices in Cardew’s Treatise\|https://www.academia.edu/3551075/Well_Its_a_Vertebrate_Performer_Choice_in_Cardews_Treatise]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.academia.edu/3551075/Well_Its_a_Vertebrate_Performer_Choice_in_Cardews_Treatise [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In the Journal of Musicological Research, 25/3-4 (2006), 291–317.{/small}{br}---- {br} * {small}{cap}Edward Venn — '''[Cornelius Cardew's ‘Autumn '60 For Orchestra’\|http://eprints.lancs.ac.uk/23011/1/download3.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://eprints.lancs.ac.uk/23011/1/download3.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In Tempo / Volume 60 / Issue 238 / October 2006, pp 2-7. Cambridge University Press 2006. DOI: http://dx.doi.org/10.1017/S0040298206000271{/small}{br}---- {br} * {small}{cap}Simon Yuill — '''[Survival Scrapbooks (Scratch-books, chapbooks)\|http://www.lipparosa.org/essays/survivalscrapbooks.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://www.lipparosa.org/essays/survivalscrapbooks.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}Originally published in MUTE, Saturday, March 25, 2006{/small}{br}---- {br} * {small}{cap}Virginia de Vere Anderson — '''[Chinese Characters and Experimental Structure in Cardew’s The Great Learning\|https://www.academia.edu/3551540/Chinese_Characters_and_Experimental_Structure_in_Cardew_s_The_Great_Learning_]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.academia.edu/3551540/Chinese_Characters_and_Experimental_Structure_in_Cardew_s_The_Great_Learning_ [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}in JEMS Journal of Experimental Music Studies, 17 March 2004{/small}{br}---- {br} * {small}{cap}Virginia de Vere Anderson — '''[Aspects of British Experimental Music as a Separate Art-Music Culture\|https://www.academia.edu/9107936/Aspects_of_British_Experimental_Music_as_a_Separate_Art-Music_Culture]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.academia.edu/9107936/Aspects_of_British_Experimental_Music_as_a_Separate_Art-Music_Culture [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}Submitted for the degree of Ph.D. in Musicology, Royal Holloway College, University of London, January 2004.{/small}{br}---- {br} * {small}{cap}Michael Parsons — '''[The Scratch Orchestra and Visual Arts\|http://www.kim-cohen.com/artmusictheoryassets/artmusictheorytexts/Parsons_Scratch%20Orch.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : http://www.kim-cohen.com/artmusictheoryassets/artmusictheorytexts/Parsons_Scratch%20Orch.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In Leonardo Music Journal, Vol. 11, pp. 5-11, 2001.{/small}{br}---- {br} * {small}{cap}Michael Chant — '''[A turning point in music history\|https://www.academia.edu/1029878/A_turning_point_in_music_history]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.academia.edu/1029878/A_turning_point_in_music_history [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}Paper presented to the Symposium on the Scratch Orchestra on its 30th Anniversary, London, November 21, 1999.{/small}{br}---- {br} * {small}{cap}Tymothy D. Taylor — '''[Moving in Decency: The Music and Radical Politics of Cornelius Cardew\|https://www.academia.edu/488369/Moving_in_Decency_The_Music_and_Radical_Politics_of_Cornelius_Cardew]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.academia.edu/488369/Moving_in_Decency_The_Music_and_Radical_Politics_of_Cornelius_Cardew [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}In Music & Letters, Vol. 79, No. 4 (Nov., 1998), 555-576.{/small}{br}---- {br} * {small}{cap}Eddie Prévost — '''[No Sound is Innocent - AMM and the Practice of Self-Invention\|https://www.amherst.edu/media/view/58531/original/Prevost%2B-%2BAMM%2Band%2Bthe%2BPractice%2Bof%2BSelf%2BInvention.pdf]''' — {/cap}{/small}{br}{small}'''''- URL(s) (pdf)''''' : https://www.amherst.edu/media/view/58531/original/Prevost%2B-%2BAMM%2Band%2Bthe%2BPractice%2Bof%2BSelf%2BInvention.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}{br}{small}London : Copula, 1995, 9-29.{/small}{br}---- {br}{br} {br}{br} [../files/articles/cardew/cardew4c.jpg\|../files/articles/cardew/cardew4c_b.jpg] {br}{br} {br}{br}---- {html} <hr nosize><hr style="height: 10px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html}
Password Summary of changes		↓ ↑

[Edit] [History] [UP] [List of all pages] [Create page] [Erase cookies]