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Last changed - French time: 2024/04/18 22:38
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!!! Cornelius Cardew, Stockhausen Serves Imperialism, 1974 ---- {br}{br}---- |t |t |t |t |t |t [../files/articles/cardew/cardew30a.jpg|../files/articles/cardew/cardew30a_b.jpg]{br}---- {small}'''Cornelius Cardew, ‘Stockhausen Serves Imperialism and Other Articles,’{br} Latimer New Dimensions : London, 1974.'''{br}'''[Download (pdf)|http://www.ensemble21.com/cardew_stockhausen.pdf] ''' — http://www.ensemble21.com/cardew_stockhausen.pdf {/small}{br}{br}{br}{br}[https://jeromejoy.org/files/articles/cardew/cardew30c.jpg]{br}{small}Mark Berry, "After Wagner: Histories of Modernist Music Drama from Parsifal to Nono", Boydel Press, 2014{/small}|t |t |t |t |t |t When Cornelius Cardew went crackers and became, first a Maoist and then a devotee of Enver Hoxha of Albania, he repudiated much of his own earlier work and the avant garde in general. He turned his fire particularly on Stockhausen, with whom he had worked closely as both student and assistant. In The Listener (15 June 1972), Cardew published a screed with the self-explanatory title “Stockhausen Serves Imperialism”. Here are two letters which appeared in the magazine the following week:{br}{br}[https://jeromejoy.org/files/articles/cardew/cardew30b.jpg]| {br}{br} [https://jeromejoy.org/files/articles/cardew/cardew4.jpg] [https://jeromejoy.org/files/articles/cardew/cardew27.jpg] {br}{br}---- {br}{br} {br}{br}---- {html} <hr nosize><hr style="height: 6px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html}
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