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!!! \|--> concert happening '__descriptions (citations)__' « Coined by Allan Kaprow in the late 1950’s, the term happening was used to describe an event in which a multitude of performances, in particular poetry reading, dance and music, take place in the same location and at the same time (historically, Allan Kaprow is considered to have presented the ﬁrst happening in October 1959 at the Ruben Gallery with his ''18 Happenings in Six Parts''). The spatial distinction between performers on stage and a seated audience was abandoned. The performers would be found throughout the theatre and amidst an audience free to circulate at will. This performer-audience relationship and somewhat free admixture of disparate art forms is not so distant from earlier music-dramatic types mentioned above.setting of a restaurant which a stage production would visually provide with the appropriate set–possibly including similar sound effects as well. » (Robert A. Baker, ''Spaces and Places of Opera''. In ''Circuit : musiques contemporaines'', vol. 17, n° 3, 2007, p. 57-63) '__exemples__' 1956 __ Radio Music, John Cage (Radio Music, composed in May, 1956, premiered on May 30, 1956 at the Carl Fisher Hall in New York City. Performance by John Cage, pianists Maro Ajemian, David Tudor, Grete Sultan and the four members of the Juilliard String Quartet) 1960 __ Poem for Chairs, Tables, Benches, etc., La Monte Young 1960 __ Public Opinion Descends upon the Demonstrators, Robert Ashley 1978 __ A Dip in the Lake — Ten Quick Steps, Sixty-one Waltzes and Fifty-six Marches for Chicago and Vicinity, John Cage **1985 __ Caméra Sonore (Sound Camera), Gwek Bure-Soh {br}{br}
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