Archives2012 - Jerome Joy website

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!! 2012-07-18 \|hlt [../files/img/201207_synema1.jpg\|../files/img/201207_synema1_b.jpg]{br}[../files/img/201207_synema2.jpg\|../files/img/201207_synema2_b.jpg]\|hl '''''SYNEMA (5)''''' {br}{br}''Live online audio streaming work''{br}Specially produced for WLD2012{br}''Réalisé spécialement pour l'événement WLD2012''{br}{br}---- '''"Acousticking" the Internet / ''L'internet acoustique'''''{br} {br}{br}{br} http://nocinema.org/synema/synema5/ {br}http://nocinema.org/synema/ {br}http://www.worldlisteningproject.org/ {br}{br}---- '''--> [More info\|nocinema]'''{br}---- {br}{br}[../files/img/201207_wlp2.jpg][../files/img/201207_wld2.jpg]\| \|2 Synema (5), a live streaming audio new work on a web black interface. This work is using creation of a-synchronicities (delays, phasing, etc.) live generated by variations of Internet routings and artefacts and by playing simultaneously 12 times the same live audio streaming flux sent by the web microphone set up at my home. This work is questioning the Internet “space” such as an “acoustic space”. This live and streamed field recording is an attempt to test a live field streaming issued from synchronicity (controlled by the software on the server) and a-synchronicities (generated by the variations of routings and accesses on Internet, such as sonic “reflections”). Time after time these variations are continuously active and evolutive. Listening to a live distant location is revealing an in-between space with its own properties. As the same time, this sound flux listened at a distance is making us focusing on (fortuituous & associated) interactions between our local sound ambiance and the distant location.{br}{br}''Sur le projet général Nosynema : {br}« Ce prototype se base sur le principe de nocinema.org en testant des configurations de synchronicité à partir de captations en direct (vidéo et audio) dans des lieux répartis (et interconnectés par les programmes que j'ai construits). SYNEMA crée de la synchronicité à partir : - de l'association à la volée d'images vidéos et de sons qui sont indépendants et en direct, à l'aide des techniques de streaming, - du lancement du programme de synchronisation sans qu'il soit identique à chaque fois, - et de la lecture via l'interface de ces médias reçus. SYNEMA crée du réel par l’association de médias.''{br}''Pour accéder aux projets SYNEMA : http://nocinema.org/synema/ ''{br}{br}{br}{small}'''Research residency / Résidence de recherche : NT2 lab UQÀM Montreal - Variable Geographies / Géographies Variables - jun./july 2012'''{/small}{br}{br}\| \|[../files/img/201207_fma.jpg]{br} {small}From [Free Music Archives\|http://freemusicarchive.org/member/dvd/blog/World_Listening_Day_2012]{/small}\|[../files/img/201207_tpu.jpg]{br} {small}From [Tokyo Phonographers Union\|http://www.tokyophonographersunion.com/?p=142]{/small}\|[../files/img/201207_es.jpg]{br} {small}From [Environmental Sounds\|http://environmentalsounds.blogspot.fr/]{/small}\|[../files/img/201207_51deg.jpg]{br} {small}From [51degreesnorth\|http://www.51degreesnorth.net/joe/archives/1579/]{/small}\|[../files/img/201207_aporee.jpg]{br} {small}From [aporee/udo noll\|http://aporee.org/maps/work/projects.php?project=worldlisteningday2012]{/small}\| \|{br}{br}'''Others :''' {br}http://www.radiopaisagem.com/ {br}[Occupy the Ocean\|http://www.elephantjournal.com/2012/05/occupy-the-ocean-wallace-j-nichols-phd/]{br}http://oceanrevolution.org/ {br}[Pauline Oliveros : Occupy Air, for the People's Microphone developed at the Occupy Wall Street protest, which is an unamplified "call and reverberate tactic", she says, "that is being used in very creative, strategic ways".\|http://www.paulineoliveros.us/uploads/1/0/5/3/10530407/conversation_with_john_luther_adams.pdf] {br}http://soundstudiesblog.com/2012/07/18/listening-to-disaster-our-relationship-to-sound-in-danger/ {br}[Andrea Polli: How can sonification help us understand climate change?\|http://soundstudiesblog.com/2012/07/18/listening-to-disaster-our-relationship-to-sound-in-danger/] {br}[Peter Cusack : Sounds from Dangerous Places\|http://soundstudiesblog.com/2012/07/18/listening-to-disaster-our-relationship-to-sound-in-danger/] {br}[O Colecionador de Sons\|http://greenfieldrecordings.yolasite.com/audio-2012.php] {br}http://amswkkwne.blogspot.fr/2012/07/maizing-session-with45.html {br}[Peter Cusack : Klang Orte Berlin/Berlin Sonic Places\|http://sonic-places.dock-berlin.de/] & http://www.dock-berlin.de/?p=820 {br} http://soundcloud.com/groups/world-listening-project \| {br}---- '''--> [More info\|nocinema]'''{br}---- {br}{br} {br}{br}{br}{br}{br}{br} ----
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