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!! 2012-08-15 \|hlt [../files/img/20120815_oboro.jpg\|../files/img/20120815_oboro_l.jpg\|Lewis Kaye on TTVP, June 2011]{br}[../files/img/20120815_oboro2.jpg]\|hl '''''Reanimating Audio Art: A Nanocuratorial Event''''' {br}{br}A curated event by Lewis Kaye{br}2012 OBORO Writing Audio Art residency{br}''Un événement organisé par Lewis Kaye'' {br} ''dans le cadre de sa résidence d'écriture Art Audio 2012 au Centre OBORO''{br}{br}---- with the presentation of /''avec la présentation de'' : '''Pièce Stéréophonique pour clarinettes enregistrées ''' (1995) & '''Pour JW''' (1998) {br}{br}---- '''Wednesday, August 15 @ 7PM''' {br}at '''Flevoland, 588, rue Charon (angle Wellington), Montréal'''{br}{br}{br} http://wwww.oboro.net/ {br} http://www.aelab.com/flevoland/ {br}---- {br}{br}\| \|2 Lewis Kaye and OBORO Media Arts Centre cordially invited you to participate in '''Reanimating Audio Art: A Nanocuratorial Event''', an evening to explore some fundamental questions about the audio art archive.{br}This event is part of the 2012 OBORO Writing Audio Art residency. Central to Lewis's residency project is the premise that the experience of audio art is fundamentally conditioned by both the technological apparatus we use to reproduce it and the space through which we come to hear it. In other words, the sound of an audio work itself changes with the conditions of its reanimation. This, of course, could be considered a fundamental problem for an audio art archive, where sound works are solidified into very particular material artifacts, and require a complex technical system in order to be heard again. Yet rather than see this is a problem, what if we see this as an open question to explore and exploit ?{br} What if we were to think of an archive in an extended sense, as a network and community ?{br} The evening is intended to be multifaceted :{br} • a social encounter with the OBORO audio art archive in the form of a pop-up exhibition of archival audio art{br} • a nanocurated lab where artists who have worked with OBORO have the opportunity to reanimate, reposition, recompose and reengage their archival work{br} • an event where all are active participants, where boundaries between artist and audience, critic and theorist, maker and listener, become somewhat blurry {br} • a space for, listening, hearing, play and discussion. {br} Please move about the room, attend to the works in whatever way you prefer, and talk about what you hear and why you are hearing it.{br}{br}{small}'''Lewis Kaye, writer/researcher in residence and Stéphane Claude, Head of Research, Audio Sector at OBORO'''{/small}{br}{br}[../files/img/20120815_oboro3.jpg]{br}{br}---- '''Stereophonic piece for recorded clarinettes''' (1995){br}''digital editing and mixing. Realisation at the studio audiolab Villa Arson Nice (France). Clarinet player : François Dutreuil.''{br} Produced in 1995 at the occasion of the collective exhibition Murs du Sons / Murmures which took place at the Villa Arson Contemporary Art Center in Nice, this very physical and immersive work specifically plays with the listening place and space. The musical composition is based on sequences of frequencies' beatings that are appearing in the room where you're listening to it.{br}{br} '''''Pièce Stéréophonique pour clarinettes enregistrées''' (1995){br}montage et mixage numériques. Réalisation studio audiolab Villa Arson Nice (France). Clarinettiste : François Dutreuil.''{br} ''Réalisée en 1995 pour l'exposition Murs du Son / Murmures au centre d'art contemporain de la Villa Arson à Nice, cette œuvre, très physique et immersive, joue spécifiquement avec l'espace d'écoute via la lecture sur un support cd. La composition est basée sur les séquencements de battements des fréquences qui apparaissent dans l'espace dans lequel vous l'écoutez.''{br}{br}{br} '''For JW (1998)'''{br} ''for electronic sounds. Realisation at the studio audiolab Villa Arson Nice (France).''{br} For JW is a work for electronic sound to be played on a stereophonic system ; each sound channel, right and left, is independant from the other. Designed for a spatial sound system that was connected to a video installation (titled Oktogon - Sonne) by the German artist Jürgen Waller and which has been shown several times in Europe, this work is entirely mobilizing the listening space. The combinations of frequencies (around 80 Hz) in space and according to the position of the loudspeakers cause acoustic beatings that the listener can vary and experience by moving into the room or by simply turning the head.{br}{br} '''''Pour JW''' (1998){br}pour sons électroniques. Réalisation studio audiolab Villa Arson Nice (France).''{br} ''Pour JW est une œuvre électronique destinée à être jouée en stéréophonie, chaque canal, droit et gauche, étant indépendant. Conçue pour un dispositif spatial sonore lié à une installation vidéo (Oktogon - Sonne) de l'artiste allemand Jürgen Waller présentée plusieurs fois en Europe, cette œuvre mobilise entièrement l'espace d'écoute. La conjonction des fréquences (autour de 80 Hz) dans l'espace selon la position des haut-parleurs provoque des battements acoustiques que l'auditeur peut faire varier en bougeant dans l'espace ou simplement en tournant la tête.''{br}{br}\| {html} <TABLE WIDTH="100%" BORDER="0"><TR><TD VALIGN="top" WIDTH="60%"> <small><b>1. Piece Stereophonique pour clarinettes enregistrées (1995)</b> </small><br> <object type="application/x-shockwave-flash" data="webs/dewplayer-vol.swf" width="350" height="20" id="dewplayer" name="dewplayer"> <param name="wmode" value="transparent" /> <param name="movie" value="webs/dewplayer-vol.swf" /> <param name="flashvars" value="mp3=http://joy.nujus.net/files/mp3/1995_piece29.mp3&bgcolor=FFFFFF&showtime=1&autoplay=0&autoreplay=0&volume=100" /> </object><br><br> </TD></TR> </TABLE> <TABLE WIDTH="100%" BORDER="0"><TR><TD VALIGN="top" WIDTH="60%"> <small><b>2. Pour JW (1998)</b> </small><br> <object type="application/x-shockwave-flash" data="webs/dewplayer-vol.swf" width="350" height="20" id="dewplayer" name="dewplayer"> <param name="wmode" value="transparent" /> <param name="movie" value="webs/dewplayer-vol.swf" /> <param name="flashvars" value="mp3=http://joy.nujus.net/files/mp3/1998_pourjw.mp3&bgcolor=FFFFFF&showtime=1&autoplay=0&autoreplay=0&volume=100" /> </object><br><br> <small><i><b>Listen on your loudspeakers or headphones</b></i></small> </TD></TR> </TABLE> {/html} {br}---- {br}{br} {br}{br}{br}{br}{br}{br} ----
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