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!!1977 — Time to Go (for Diego) ---- — — ''part of the series of songs available to be played on discs (45 rpm single) via the jukebox machine at the Holly Solomon Gallery in New York for the Jukebox exhibition.''{br}{br} ---- {html} <b>Time to Go (for Diego) </b> <i>(1977)</i><br> <object type="application/x-shockwave-flash" data="webs/dewplayer-vol.swf" width="350" height="20" id="dewplayer" name="dewplayer"> <param name="wmode" value="transparent" /> <param name="movie" value="webs/dewplayer-vol.swf" /> <param name="flashvars" value="mp3=https://jeromejoy.org/files/articles/anderson/1977_timetogo.mp3&bgcolor=FFFFFF&showtime=1&autoplay=0&autoreplay=0&volume=100" /> </object><br><br><i></i> <br> {/html} {small}from the LP [New Music for Electronic and Recorded Media\|https://www.discogs.com/fr/Various-New-Music-For-Electronic-And-Recorded-Media/release/355412] (1750 Arch S-1765), 1977{br} Recorded At – Studios Of Laurie Anderson {/small} {br}{br}---- \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t ''Laurie Anderson, ''Time to Go (for Diego)'', 1977, 2:45{br}Guitar, Organ, Scott Johnson - Voice, Violin, Laurie Anderson{br} From the lp [New Music For Electronic And Recorded Media, 1750 Arch Records ‎– S-1765, 1977\|https://www.discogs.com/fr/Various-New-Music-For-Electronic-And-Recorded-Media/release/355412]''\| \|t ---- {small}{cap}Time to Go (for Diego){br}{br}Diego used to be a guard at the Museum of Modern Art. He was on the night shift. His job was to go around the museum and tell people to leave. Or, as he put it, 'Snap them out of their art trances.' People who'd been standing in front of one thing for hours, he would jump in front of them and snap his fingers, and he'd say, 'Time to go.' Time to go. Time to go ''(repeat)''{/cap}{/small}---- \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t ''Laurie Anderson's ''New York Social Life'' and ''Time to Go (for Diego)'', both from 1977, are early examples of Anderson's anecdotal critiques of American culture.''{br}''Time to Go (for Diego)'' is for voice, guitar, keyboards and is one of Laurie Anderson’s earliest story-based sound pieces and was dedicated to art curator, musician, and No Wave pioneer Diego Cortez.{br} The first half of the song was dialogue by Anderson, interupted regularly by a bit of guitar playing, disolving into both guitar and violin as Anderson repeats "Time to go".\| {br} ---- \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t ''Anderson writes, ''Time to Go'' is part of a series I’m doing called ‘It depends on who you’re talking to,’ which centers on saying the same thing to various people and working with the slight changes in inflection and tone that result. . . . I tried to stabilize melodic lines and use irregular pauses to imitate Diego’s clearing-out tour-duty of the museum.” Indeed, the biting quality of the guitar track very effectively parallels the verbal image of Diego snapping his fingers at the museum visitors to rouse them out of their “art trances.”''\| {br}{br} ---- {br}{br} {br}{br}
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