AUDIAanderson2 - Jerome Joy website

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!1971 ---- ---- {br}{br} !!1971-1979 — New York Times horizontal/China Times vertical ---- \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t En 1972, les premières sculptures de Laurie Anderson sont des tressages de journaux dans lesquels les trames textuelles apparaissent et disparaissent. Elle crée ses premières sculptures entre visuel et concept, dans lesquelles la structure formelle et la relation au monde sont intimement imbriquées, en tressant divers journaux (le New York Times et le Sunday pour ''Seven Weekends in March'' (1972) (composée de journaux réduits en pâte à papier, sculptés en forme en briques disposées en ligne sur le sol), ou encore le New York Times et le China Times).{br}{br}\| \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t — — ''''New York Times, Horizontal/China Times, Vertical'' was constructed by weaving strips of each newspaper together. In 1972, Anderson showed a diaristic piece, ''Seven Weekends in March'', composed of pulped newspapers formed into bricks and laid out in a line on the floor.''\| \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t [../files/articles/anderson/1971_nyc2_250.jpg\|../files/articles/anderson/1971_nyc2.jpg]{br}{small}Laurie Anderson's "New York Times, Horizontal/China Times, Vertical", 1976 (first conceived 1971) woven newspaper - Laurie Anderson / National Gallery / Los Angeles County Museum of Art{br}Collage composed of cut, pasted, and woven newspaper strips, 575 x 368 mm{/small}\|t \|t \|t \|t \|t \|t \|t \|t [../files/articles/anderson/1971_nyc3_250.jpg\|../files/articles/anderson/1971_nyc3.jpg]{br}{small}Laurie Anderson's "New York Times, Horizontal / China Times, Vertical" , 1971/2000, woven newspaper backed with mylar, 572 x 343 mm - Laurie Anderson / Sean Kelly Gallery NYC{/small}\| \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t [../files/articles/anderson/1971_nyc4_250.jpg\|../files/articles/anderson/1971_nyc4.jpg]{br}{small}Laurie Anderson's "New York Times, Horizontal/China Times, Vertical", (Coca-Cola Comes / China (For Bobby), 1972-79){br}Photo : [John Kannenberg\|https://www.flickr.com/photos/jkannenberg/7772179558/in/photostream/]{/small}{br}'''Click the picture for more detail''' (close-up) (file : 4,3Mb){br}'''or [download the picture\|https://jeromejoy.org/files/articles/anderson/1971_nyc4.jpg]''' (file : 4,3Mb)\|t \|t \|t \|t \|t \|t \|t \|t [../files/articles/anderson/1971_nyc4_detail_250.jpg\|../files/articles/anderson/1971_nyc4.jpg]{br}{small}Laurie Anderson's "New York Times, Horizontal/China Times, Vertical", (Coca-Cola Comes / China (For Bobby), 1972-79){br}Photo : [John Kannenberg\|https://www.flickr.com/photos/jkannenberg/7772179558/in/photostream/]{/small}{br}'''Click the picture for more detail''' (close-up) (file : 4,3Mb){br}'''or [download the picture\|https://jeromejoy.org/files/articles/anderson/1971_nyc4.jpg]''' (file : 4,3Mb)\| {br}{br} {br}{br} ----
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